Credits:Klaus NomiDescription:Comingoffsuchaleft-fielddebut,itwasupintheairastowhatKlausNomiwoulddoforafollow-up.ThatsecondalbumwasSimpleMan,andiflistenerswereunsureifthefirstalbumwasaput-on,thisonecertainlydidn'tdomuchtoclearthingsup.Whilethealbumstartsoutpromisinglywithanatmosphericfade-infollowedbyaharddancenumberwiththeoccasionalBirthdayParty-styleguitarthrownin,therestofthealbumdiditsdamnedesttomovethealbum'soveralltonetooneofself-parody.Couldonereallythinkanydifferentlylisteningtothehyper-sugarycoverof"JustOneLook,"thefaux-countrydisconumber"RubberbandLazer,"ortheversionof"DingDongtheWitchIsDead"?Aswiththedebutalbum,Nomi'struecapabilitiesareshownoffbyhisversionsofclassicalworks--inthiscase,"Death"(takenfromHenryPurcell's"DidoandAeneas")and"Return"(whichisbasedonachoralnumberbyJohnDowland).Thethingis,thosepiecesarerightattheendofthealbumandthelistenerswhowouldenjoythemthemostwillprobablyalreadyhavebeenlongshakenoffbyallo