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Credits:Raphael PichonDescription:Berliozs version of *Orfeo ed Euridice*, which brings even greater brilliance to Glucks masterpiece, is here!Glucks masterpiece *Orfeo ed Euridice* (sung in Italian) premiered in Vienna in 1762; after undergoing extensive revisions in 1774, it premiered in Paris as...
Credits:
Raphael Pichon
Description:
Berliozs version of *Orfeo ed Euridice*, which brings even greater brilliance to Glucks masterpiece, is here!Glucks masterpiece *Orfeo ed Euridice* (sung in Italian) premiered in Vienna in 1762; after undergoing extensive revisions in 1774, it premiered in Paris as *Orphe et Eurydice* (sung in French). Berlioz, who was deeply enamored with Gluck, conceived the idea of reworking this piece. He not only cast a mezzo-soprano in the title role of Orpheus and expanded the instrumental ensemble but also inserted cadenzas into several arias, transforming the entire work into a more spectacular production. As a result, the performance was a resounding success. In this performance, the two title rolesMarianne Klebassa (Orpheus), one of the finest mezzo-sopranos of our time, and Hlne Guemmet (Eurydice), a soprano garnering attention in the early music worldalong with La Desandres (Goddess of Love), del
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