Condition: Brand New Ships from: Melbourne

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• In 1972 Piero Umiliani was above all the man of a thousand soundtracks and the first Italian jazz experiments; from his later career well soon learn that wasnt enough for him, showing just a tiny part of a more complex picture. Closed within the walls of his Sound Work Shop Studio, the Maestro was weaving much more complicated and satisfying plots, incorporating dozens of influences from a life spent experimenting and discovering new sounds. Among the most fascinating ones, those who came from a continent like Africa, as much fabled as actually little known, but enchanting to the point that Umiliani dedicated to it the entire Africa – which is paired with its twin-record Continente Nero – and released it as M. Zalla, pseudonym used when it came to tidying up uncompromising and avant-garde mu