Aaron Warren and Bjorn Copeland have been playing music together since 1999: nineyears as Flaccid Mojo and twenty-six years as Black Dice. This partnership has been aramble, a supply run through the wasted landscape of contemporary music. Stacking upthe dumb, the muffled, and the used-up, the pair consistently create unbalanced,breathtaking mutant constructions. The latest example is Loose Jacks, Flaccid Mojo’ssecond full-length. Made from free phone apps, fractured youtube videos, andcracked-screen electronics-the scorched and crumpled sediment of thestreaming-industrial complex-Loose Jacks is the wide, hysterical grin of finding treasurein the end days.Flaccid Mojo’s songs are built for live performance, with a modular arsenal of rhythms,stabs, and payoffs all at the ready. It’s their way of centering the physical; of ensuring thebodily dictates of each song’s composition reassert these commands on everyone in theaudience. The satisfaction of a loop