Description:

A collection of small pieces played on a vintage Steinway from the same era as Debussy (1862-1918). This 1887 New York Steinway was a favorite of Horowitz. The deep resonant bass, warm middle voice, and shimmering high notes weave through the music like a pointillist painting. Taro Sue, who studied in Paris, is known for his sensitive expressiveness. He fully utilizes the taste of a vintage piano and invites us to a dream landscape. The piano used for the recording is an 1887 New York Steinway with a very beautiful rosewood body. It was once used as a rental concert piano at the time of the founding of Carnegie Hall and Metropolitan Hall. It later moved to Japan, where it was kept at the Capitol Tokyu Hotel for a while. In 1986, during Horowitz’s second visit to Japan, he stayed at this hotel and actually played this piano to great acclaim.The expression that varies from piece to piece, the rich overtones, the wonderful expressivene